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The Textile Planet
Sue Lange
Chapter 1
Immediately following Marla Gershe’s nonexistent coffee
break at three in the afternoon, a policeman shot her through the mid-section
with one of those newfangled xanthan guns. That simple act changed her life
forever. Actually, her life had been changing slowly over the previous few
months, but everything came to a head starting at 5:15 a.m. the day she was
shot. Let’s take a look.
5:15 a.m.
“Mama! Where’s Sa...” Marla Gershe barged through the aluminum
doors leading to the looming floor, stopping abruptly to stare at the far wall
where ten names on the in-board lit up red confirming the obvious: Mama had
only half a staff. The flimsy doors behind Gershe waffled in the silence. She
looked over at the short woman wearing optical enhancers on her nose.
“Where are your weavers?” Marla called, jerking her head
toward the nearly empty room. Five in the morning and she was already annoyed.
Mama, whose name nobody knew, was referred to by her
position as head weaver. She stood with the lint screen from the third shift’s
leavings in one hand and a shop vac suction in the other. Her loom, hooked
directly up to the Anthusian CIA (Central Intelligence Agent—some would
describe it as a mainframe), was the largest and most complicated machine in
the room. The cast iron affair, proudly as wide as a shed, held a
conglomeration of wooden warp frame, plastic computer components, weft
attachment, high-speed shuttle, and numerous LED readout panels. There was a
little coffee cup holder next to her, set at waist height, on her right.
Mama looked over her specs at Marla. Five in the morning and
she was already annoyed.
“Parker shifted ‘em over to O’Halloran,” she said,
apparently bored with the ineptitude of upper management. “Supposed to be some
big do there today. The president’s over for a visit, or something.” She
switched on the pump ending the conversation without so much as an editorial
“naturally,” or “as usual,” or “of course.”
The day’s ten weavers, by now arriving at their respective
stations (which, being only the size of a cow’s trough, were puny compared to
Mama’s), mimicked her actions down the line, turning on their vacuum pumps and
cleaning out the third shiftâs lint leavings. The dust in the room had only
recently settled from the previous shift’s activities. It swirled up in the
ritualized onset of the first shift, filling the air with the familiar smell of
dust, must, and rust that made Marla Gershe think of an Okie panhandle — the
likes of which she had never in her life experienced so how the hell would she
even know.
“That’s great!” Marla said, kicking Mama’s unit. “God forbid
they’d slack us off in comp.” Then, raising her voice over the noise of the
vacuuming, she said to no one in particular, “Where’s Saddle? Where’s today’s
designs?”
“Here, Marla,” a voice called from behind her.
Marla spun around and saw the waifish owner of the cutest
black bobbed haircut any employee of BAC Enterprises ever had the nerve to
sport.
Saddle rushed up breathlessly, pink plastic barrettes
perched on top of her head to hold back her overgrown bangs. She wore a fluffy
pink sweater — undersized—with a ribbon trimming the neckline.
“You late today?” Marla asked.
“No,” Saddle replied, handing Marla a sheaf of papers. The
top one had a turquoise patch of fabric glued onto it. “I noticed you weren’t
in your office so I ran out to find you. We’ve got an awful day ahead of us, I
think.”
Marla grabbed the papers and began sifting through. “No
shit,” she said. “There’s a full show here with only half a staff. Where’s that
fucking Parker?”
“I don’t know, but they gave us a couple of zingers too.”
“Great!” Marla headed back through the aluminum double doors
and out into the noiseless hallway. “Get me Parker’s access number.”
“Here, Marla, here.” Saddle scrambled after her, holding out
her personal pink buzzer with its accompanying bubblegum mixed with lipstick
odor.
Marla stopped abruptly and grabbed the yakker, pushing
“send.” She grimaced at the yakker’s fragrance and waited as the line played
its annoying double beep. Finally, the receiver clicked on.
“Parker?” Marla jumped in. “Did you know...”
“Grant Parker is unable to receive at the moment. Please
buzz back or press ‘call back’ to have him return your buzz when appropriate.”
“Fuckinâ hell!” Marla blurted out in exasperation, hitting
the end button. “Where’s Torpid at on this thing?” She jabbed her finger at the
hologram screen, randomly searching for the phone book.
“He’s in there,” Saddle answered, stepping over to see if
she could help. “Press T.”
Marla fiddled with the colored lights, alternately selecting
some sequence and then placing the earpiece next to her head. At one point, the
object screeched so loudly, the lift down the hall summoned itself to the loom
floor, thinking it had heard a call. “Floor please,” it asked after its gates
opened and it had been sitting there for about ten seconds without anyone
ordering a floor.
Frustrated, Marla tossed the yakker to Saddle and made her
way down to the lift, thinking she might as well take advantage of it since it
was already here. “You need to get that thing fixed or something. Where’s mine,
by the way?”
Saddle caught the unit mid-air and hit “clear” and then
punched up the point list. Two seconds later, she was running after Marla,
holding the crescent box in front of her. “Here’s the line, Marla,” she called.
She handed the yakker over while Marla stuck one foot on the
lift’s pad to keep it from leaving.
“Yeah, hi, Gershe here,” Marla said into the yakker.
“Listen, Parker took half my staff for something over at O’Halloran and I’ve
got a full show. I gotta get some weavers. I need half a dozen, or the zingers
those asshole third shift designers put on my scroll gotta disappear.”
“We need the zingers, Marla,” Torpid answered like a father
who’s gone over this a thousand times before but junior just isn’t getting the
fact that taking out the trash is his special place in the world. When he gets
his own house and pays his own taxes, then he can make up the rules, but until
then, Dad’s in charge.
“The line is flagging,” Torpid continued. “You know this.
Just settle down. I’ll see if I can borrow some people from Ted. He’s not going
to like it; it’s the second time this month you’re asking favors.”
“I’m asking favors? Who put all this together? Those freeze
heads on the night shift are strung out on Dolly pills and I’m asking favors?
Parker took my — hold on.”
She placed her finger over the mouthpiece and hollered over
to Saddle who had been faithfully hanging around. “Go back and tell Mama to
clean out all the machines before she starts. We may be getting more people,
and even if we don’t, if one of the looms craps the bed, another one will be
ready immediately. The fabric is going to be late this morning anyway.”
Saddle turned to go back through the looming doors.
“And send up a double for me, black,” Marla called to her.
“I’ll be in the office.”
“Okay.”
“And one for yourself and Mama, and the whole crew in
there.”
“One?”
“Don’t be smart. I’m too pissed off. Put it on Parker’s
tab.”
The lift had started nagging her about holding it by now so
she stepped onto the platform, flicking her hand over the little window for her
floor — 410.
“Well, well, you sound like you’re handling things there,
Gershe,” Torpid said through the yakker. “Fine job.”
“Fine job, my ass. This is the third time this week some
shit like this has happened and it’s...”
“...only Wednesday. Yeah, I know. What you gonna do? Ever
since Campbell...”
“...went plastic, yeah I know, we have to quick-march to keep
our prices down. It’s bullshit. Keep ‘em up high. Natural fabrics...”
“...are worth more... Yeah I know. Is there some way we can not
have this conversation some morning? Listen, you’re doing your job, you’ll pull
through. Get a double, take some Tums. See you...”
“...after the show. Yeah, I know.” She clicked the yakker off,
stashed it in her back pocket, and ran out as the lift stopped on her floor.
She was in her office by the time the elevator said, “Four hundred and ten.”
Leaning against the edge of her work organizer, she shuffled
through the sheets with the day’s show designs. Papers from previous shows lay
strewn about the floor, on the two high chairs, on the standing light box, on
her organizer hovering in the middle of the room, on the storage units. In
short, pieces of Marla Gershe’s life — a gigantic puzzle, perhaps never to be
assembled — covered every horizontal surface of her office. The daily designs
that made up each do, the threads and fabrics to show the designs off, the
themes of the moments, the desired effects, the colors, the swirls, the sweat
and tears, and most important, the money to be made by this line of BAC’s
textile enterprises, were all there in a convoluted mess. If someone put the
last year’s collection of bits and pieces of fiber lying here and everywhere in
order, not only would Marla Gershe have a clear picture of what she had been
doing for 52 weeks of her life, but she’d easily be able to find the controls
to Agnes — the CIA mentioned earlier — that were installed somewhere on her
hovering organizer.
Alas, that would not be happening any time soon. She stood,
leaning and flipping through the current orders, searching for the zingers
Saddle mentioned.
“Knobby double knit — one bolt,” she mumbled to herself.
“Reversible mohair — one bolt. Japanese hand weave...what the fuck?”
Six more pages of cotton/linen type mixes and then the
zingers: a pink taffeta with an odd metallic cross-grain shellacked in, and a
new stretch knit she’d never heard of. According to the sheet, the thread to
work with it hadn’t been invented yet. The sample patch wasn’t there. Even the
“freezeheads” couldn’t put it together.
She reached for the yakker and pushed “last.” The tone
double beeped for an interminable time. Finally, it rang clear.
“I can’t do this,” she jumped in before Torpid answered. “I
need...”
“Dread Torpid is not available at the moment. Please buzz...”
“God dammit!” she shrieked, throwing the crescent-shaped
yakker (some people called their personal communicators bananas) at the wall in
disgust. Its gelphan coating cushioned the blow when it hit the wall and
simultaneously attached it there, just as it was designed to do.
“Fuck!” she said, sinking into her high seat and dropping
her head into her hands.
“I’m sorry?” the walls to her office were confused as to
what she wanted.
Marla sat at her desk that was littered with yesterday’s and
last week’s and last month’s programs, sample sheets, and patch pieces. She
shoved it all onto the floor and sat with her eyes crammed into the heels of
her hands. She would’ve cried if she’d had the time for it. She would’ve quit
if her short-circuiting brain could have thought about it. All she could do was
run through options in her head and try to remember how to run a loom.
Finally, after about five seconds of respite, she lifted her
head and answered the walls.
“I need the list of hand weavers brought up. Click message
each one — local please, no email — and see who can come in today. Forward any
replies from anybody to me immediately.”
“Even Doran?”
“Oh Christ! No, not him. Anybody but him. Don’t even call
Doran.”
“How are you going to get a message if your yakker’s stuck
to the wall?”
“Just call please. And that’s Saddle’s phone anyway.”
“Where’s yours?”
“I don’t know, why don’t you tell me?”
“I don’t know. Where did you leave it?”
“Oh Gad! How the hell should I know, you bleeping idiot.”
“Don’t get nasty just because I’m not ambulatory. It’s in
your wastebasket at home, where you threw it last night.”
“Fine. Have them call Saddle’s phone when you send out the
messages.” Marla began thumbing the inviso pad installed on the upper right
corner of her organizer, signing her print onto each piece of paper.
“Agnes!”
“Yes.”
“Is Saddle’s still working?” Marla asked sheepishly.
“What is a Saddles?”
“Saddle’s phone.”
“Yes.”
Just then, Saddle herself bounced through the door on a wave
of company coffee aroma—raunchy, rich, and double caffeine. She set one of the
steaming cups on Marlaâs organizer.
“Mama’s pissed,” she said. “Said she doesn’t have time to
clean two machines when she’s got a full show.”
“Is she doing it anyway?” Marla asked.
“Of course.”
“Well then, what do you care?”
“I’m just sayinâ...hey! What’s my banana doing on the wall?”
“I put it there so I wouldn’t lose it.”
“Oh, good idea.” Saddle moved to the far wall to grab it.
“I need that,” Marla said. “Leave it, please. Agnes is going
to call with names of hand weavers that can make it in today.”
“Christ! You mean we have to hand-weave today?”
“Yeah.”
“Tell them no. We can’t do that today.”
“‘Tell them no.’ Yeah, right.”
“You can say ‘no’.”
“Just like Mama can say ‘no’?”
“This isn’t fair. This is the third time this week we’ve had
more than our share.”
“Yeah, well, you do good work, keep mopping up spills, etc.
and you get more of the same. That’s the way it is. Hopefully, in the end you
get paid in kind. Can you process these please?” She handed the sheets to
Saddle, her thumbprint signature having been added at this point.
“Yeah, right!” Saddle stood and stared at her, deliberately
ignoring the papers in Marla’s outstretched hand. “They’ve been hinting at no
pay raises again because of what Campbell’s doing.”
“Just take the papers and keep track of what’s happening. We
can grieve later. Next week.”
“Next week, next month. We don’t have time to grieve.
Besides that’s a Union thing. We’re not in the Union. Tell you what though, one
day Mama or somebody down there is going to knock a hole in her head and then
we’ll all be grieving for real.”
“Yeah, OK, at least we’ll have time to complain then.
Please, get these fabric orders to Barge, so he can get started, so Mama can
get started, so we can get started.”
“Oh don’t worry about Mama. She’s still cleaning the second
machines and trying to buck up her staff.”
“Good, good.”
Saddle snatched the papers and stomped out of the room, her
yellow plasto-pants swishing angrily.
Marla sat down with the two zingers and flipped through
formula buttons on the centered pad of her organizer. The computer was just
about to give one of her programmed joke lines, like “Oooooh, that tickles,”
when Marla hit the “No Discourse” button.
She had to find the formula for the new fabrics — the
zingers — soon. That would give Barge and his boys in the basement enough time
to dig through the piles of dusty spools that were dragged out once every
decade, whenever a genius designer came up with a brilliant something or other
they were convinced would be the “start of something grand,” but actually wound
up embarrassingly outdated within a few weeks. Something like their famous
“fishweave” — nylon fishing line woven across graphite fibers complete with
baby three-way hooks tacked on at intervals. Everyone from the weavers to the
mannequin dressers went home bloody that day. With any luck, last night’s
designers were in a conservative frame of mind, and they hadn’t mixed any
alcohol with their Dolly pills. All she needed right now was to have to work
with some sort of exploding-sequin coated zinc/poly alloy. That would top the
whole day.
Just as Marla found the last thread number for the bizarre
taffeta piece, Saddle burst back into the room.
“There’s a reversible mohair here, that takes twice as
long.”
“Yeah, I saw that. Put that one last. I’ll do it myself if I
have to.”
“You’re kidding! The Union’ll bust you.”
“Oh, I’m so scared. The Union. The Union that allows its
workers to quicktime four days out of five? That Union?”
“Fuck!” Saddle spun and fled through the doorway,
plasto-pants positively livid.
Marla whipped through the electronic pages frantically
looking for a substitute for the thread on her list that hadn’t been invented
yet. Nothing compatible came up. The stretch capacity of the new knit was so
high, everything on hand would be tensioned to break if used with it.
“What the fuck is it made out of?” Marla asked herself.
“Mucilage?”
“Rubber bands,” Agnes answered aloud, and then it started
spewing out formulas as fast as Marla flipped through the pages.
“What?” Marla yelled, glancing at the toggle switches on her
organizer; her arm must have bumped the “No Discourse” button to the “off”
position. “Shut up!” She hollered, slamming the offending button “on” again.
She grabbed the cup of coffee, gulping the contents without
noticing the scald. She wiped her mouth with the back of her hand and continued
scrolling through pages of formulas.
“Rubber bands, rubber bands, rubber bands,” she incanted.
Knocking the “No Discourse” button off, she asked, “How many
hand weavers have you come up with?”
Just as she asked the question, Saddle’s yak box, still
hanging on the wall, rang.
“There’s one now,” Agnes answered. “But to answer your
question, I sent out fifteen calls.”
Marla wheeled herself back to the wall where the mellophone
was buzzing and grabbed it.
“Marla Gershe here.”
“Hello? You called?”
“You do hand jobs?” Marla asked. “Who are you? I’m not
clocking an ID on you.”
“Yes, of course. My line is disrupted so my ID doesn’t
disseminate at the moment, but I’ve worked for you before. It’s Charlo Doran.”
Marla winced and mouthed “Christ” to herself.
“Uh, listen. Not sure if we’re going to need you after all.
I’m trying to change the program. Oh, wait a second. You ever worked with
latex?”
“You bet, Marlie girl. Latex, teflo-tape, pine tar, sweet
gum, anything sticky or stretchy. That’s my specialty.”
“Why is that not a surprise?” Marla said. “Listen, get in
here in half an hour. See Sivia on 200, she’ll have directions.”
Marla’s morning continued in this vein. The activity
intensified and the stakes gradually, almost imperceptibly, rose. By 8 a.m. she
was on her fifth cup of scavenged coffee, one of which had been left over from
the previous night’s show. It was cold and had a cigarette butt in it, but
Marla didn’t notice.
Periodically she was reminded that Grant Parker’s show at
O’Halloran was infinitely more important than hers. Nothing punctuated that
more than when Al Shurm, president of BAC, and two of his lackeys, one of which
was Lamont—her boss’ boss— showed up on the looming floor for a publicity
inspection.
Marla was setting up a loom for herself at the time. Union
rules were adamant: no management was allowed to weave, but Marla was
desperate. Half her staff had been sent to Parker. At the same time, her show
had not been trimmed to compensate. Somebody had to weave the patterns.
The Pres and his boys listened to her complaints about the
situation as well as the assertion that she’d get grieved for stepping on Union
workers’ toes. They responded by admiring her creativity under adversity. They
continued on in their photo-op inspection, pestering Mama with questions and
viewing out-of-date equipment stored in the room but having nothing to do with
the facility’s operations.
The comedy graduated to tragedy when Agnes died. It just
quit working. Saddle had only then started preparing the night’s printed
program on Marla’s computer (her own was offline itself due to a local
malfunction) when one final whine and crank signaled the end of activity.
By now Marla should have been pretty much off her head, but
besides the fact that she had lost half her staff, this morning had been true
to type. Boring almost. Things were about to warm up, though.
11:00 a.m.
“Saddle!”
“Torpid called,” Saddle replied without waiting for Marla to
ask anything.
“Where’s your box?”
Saddle tossed her the yakker.
“How’s the layout coming?” Marla asked.
“I didn’t get yesterday’s program downloaded before Agnes,
uh, doo dooed the bed; so I’m starting from scratch.”
“Oh Christ! When’s that copywriter getting here?”
“Half an hour. The tailor’s downstairs; says she’s got a
bunch of mannequins but no specs and no bolts.”
“And Agnes isn’t a priority. Great! Torpid? Gershe here. Why
is Parker’s mannequin a higher priority than Agnes here? I got...”
“Look, I don’t have time for your whining. Lamont was just
in here. Said you were yapping to the president about having no loomers.”
“Nothing I never said to you before. How’m I supposed to put
a show together with half a staff and now my CIA is down? You want me to walk
everything through? I should be down on the floor helping Mama kick the shit
out.”
“It’s not my fault you left your yakker at home. The
president wants you to double the rate of your workers just for today. They get
no lunch — twice pay for half an hour. Don’t loom yourself, you’ll get
grieved.”
“Grieved? How about a lawsuit from the occupational hazard
board for double-timing the weavers? Half the day’s already gone. We need to
cut the show, we’re never going to make it. Listen, I gotta go walk the
paperwork down to the tailor. Get the show backed off, I’ll do what I can with
the weavers, but there is no way we can get this full show tonight.”
“You don’t get the full show and itâll come out of your
pay.”
Dead silence and then, “You’re kidding, right?”
“Dead serious.”
More silence. “And you have the nerve to tell me to stay off
the loom?”
“Dead serious.”
Marla stared at the wall in front of her. No one said
anything.
“What’s going on?” Saddle interrupted the silence.
“I have no idea,” Marla replied, slowly handing the box back
to Saddle. “No idea.”
“What do you want to do with the tailor?”
“Oh...just work on the program. Have the copywriter sit at the
machine with you. Save it to tape when you’re done, and we’ll pump it in later
if we get Agnes working. I’ll be back soon.” She said it all slowly with a
quiet little voice. “I’ll be back in a minute.”
“Ms. Gershe?” The tech working on Saddle’s machine called
through the open door. “What do you want me to do?”
A rush of aromodromed damask rose air spread out into the
hallway from Saddle’s office. Marla inhaled deeply, raised her left eyebrow and
answered. “Um, why don’t you fix that computer in there.” She paused and then
continued. “Call your boss and ask if you can fix Agnes before heading out to
yet another priority assignment for the fabulous Grant Parker.”
The tech thought for a second. “Um. OK.”
Marla inhaled again. “Fine.”
The tech waited a beat. “Fine.”
“See you later,” said Marla.
“Bye.”
“Bye.”
Marla smiled and stared at the wall. Finally, she turned
from where she was standing in Saddle’s office doorway, walked to the lift and
waved her hand sluggishly over the ‘downâ button.
The lift lazily came to a stop and the gates softly opened
as if it, too, was shocked at the extreme insensitivity of BAC’s middle and
upper management. Marla stepped in and waved for the loom floor. The lift
slowly descended to three and opened its gates for her. She hesitated before
pushing through the double doors, rehearsing in her head what she’d tell Mama.
On the loom floor, she motioned to Mama to step outside.
Mama gave the “Are you nuts” look, but obediently placed the loom on standby,
braking the shuttle. Pulling herself from in front of the machine, she walked
to where Marla held the doors open for her. Once outside Mama said, “Now what?”
“Listen, Mama. Management has gone overboard now. I don’t
know what to say, but they’re taking away lunchtime for a half an hour of
double pay. Also they’re increasing the rate for today to double.”
“You’re joking of course. Really sick, Gershe.”
“Dead serious, Mama. They’re telling me if we don’t meet the
full show, it’s coming off my pay.”
“And we’ll all be docked then. Bastards!”
“No, I’m not letting it trickle down. I took this crummy
job. The shit stops here.”
“Look, why’d you even tell me this? They’re already pissed.
They saw you setting up. If you move one string, they’ll grieve.”
“Like I care at this point.”
“They’re pissed beyond that. There’s just so much someone
can do.”
“Tell them what I said, pass the orders around. If they give
up, they give up. But at least I did my job and passed the order on, and you
too. Tell them I ordered them to do it — don’t mention my pay deal. Tell them
if they don’t do it, I’ll have to loom myself. If they don’t they don’t. I
don’t know what else to do.”
“If they do it, you’d better not touch that yellow loom.”
“You’re right. Listen, where are we at?”
“Well, we got everything late. There’s half a staff and it’s
11:30. We’re about one-third done.”
“That’s not good. We should be at two-thirds by now. Yeah,
they gotta double the rate. I’ll send down some liquid lunch. Just do your
best, Mama. And have the medro send up the patterns to Minzt so she can start
figuring out her sizes before the bolts even get there.”
Marla patted her on the back as she turned to the lift, not
quite sure what her next move should be.
Returning to her office, she grabbed Saddle’s yakker and
ordered lunch for her crew and a coffee to be sent up for herself. By now, the
tech had finished in Saddle’s office, so Dittle, the copywriter, could start on
the copy for the night’s show program. With Agnes down, however, there were no
sheets for Dittle to work from, so instead of grinding out the current show’s
copy, she sat in Saddle’s high chair mindlessly spinning on the seat’s axis
like a kindergartner on a bar stool. Marla decided it was a good time to check
in on the mannequins to see how the fitting was going, since the only copier
capable of handling patterns happened to be located on 72.
The mannequins, a mob of gibbering, jabbering, primping
robots in the style of Rosie, the Jetsonsâ maid (except that they were shapely
and tall, very tall — eight feet tall—and had legs) had come in earlier. They
were highly programmed, updated with the latest software, but unable to take
orders from anyone but Marla. Even then they misunderstood them most of the
time. They didn’t quite get that they needed to remain in the sizing room to
get fitted. Most of the morning they spent walking around the Anthusian Unit
looking for Marla to give her a cup of coffee.
Down at Sully’s sizing room, she proceeded to demand answers
from Minzt the tailor.
“Where’s the bolts?”
“Nothing here yet.”
“I just left the floor, they had a third of the work done.”
“Nothing here yet.”
“Where’s your box?”
“Oh no you don’t. You’re not taking my phone.”
“I’m not leaving the room. I’m just calling down to check
after the bolts. You know we’re losing 5,000 a minute when we’re not selling.”
“An hour. Yeah, yeah. Listen, where’s your box?”
“An hour, a minute, might as well be a million a minute.
Broke. What’s it to you? Sully, can I borrow your phone?” she asked the fitting
room coordinator and then turned back to Minzt. “Let me have the patterns for a
copy wouldja? I need them for the copywriter.”
“Forget it. Use my box. I’ll make the copies.” Minzt tossed
the yakker to Marla and proceeded to an adjoining room to make pattern copies.
“Thanks,” Marla replied as she punched up the transit
authority’s button. Just as the back wall to the room — the freight elevator
entrance — was opening, a characteristic whine was heard from that quarter
indicating a squawker going off.
Marla heard a “Yeah?” emitted through the authority’s yakker
earpiece and stereophonically from the room at the same time. She clicked the
box off and addressed the transit officer who was just getting off the
freighter with Mama’s completed one-third.
“Where were you?” she shouted across the room.
“Hello? Hello?” the transit guy kept talking into his yakker
as he wheeled the bin of fabric into the room. At one point, he looked at the
yakker quizzically and then stashed it in his front pocket, resuming his
pushing of the bin over to the side-receiving table. He never answered
Marla’s
question.
“Finally,” Minzt said upon entering the room and seeing the
fabric being unloaded. She handed Marla’s copies to her without stopping her
own forward progress to the bolt table. She pulled out the turquoise from the
pile and carried it over to the center table, sifting through the patterns to
pull up the one she needed.
“Number one,” she hollered. “Height: eight foot; waist
seventeen inches; thigh...
“They supersized the show?” Marla stammered.
The tailor answered, “Looks like it. We’re not going to have
enough material; I can see that already.”
“Can you downsize these or cut the number of outfits?”
“Not without losing my job.”
“What if I order you to?”
“Sign a downsize order on each pattern and I’ll do
anything.”
“All right, I need them downsized two feet each. Can the
mannequins do that much?”
“They’re set up to reduce indefinitely. Down to a foot
even.”
“Fab. All I need is six feet.”
“Sign on the dotted line,” the tailor answered, handing the
patterns over to Marla.
“Thanks,” Marla replied, signing each one using her belly as
a table. “Listen, I gotta go speed up the rest of your order. I hope all your
cutters and seamstresses are here.”
She ran out not waiting to hear the answer, calling the lift
for her floor. Up in her office, Saddle was still at the computer doing
layouts. Dittle was still sitting in Saddle’s high chair, swiveling, waiting
for something to do, and sniffing, as if the damask aromodrome air was
affecting her sinuses. Marla ran into the copywriter and thrust the pages at
her while hollering over to Saddle, “How’s it going?”
“Torpid called. He’s giving Mama to Parker.”
“What?” Marla screamed. She ran over to her own office. “Are
you out of your mind? Why the fuck didn’t you call me? That’s it! That’s it! I
can’t work like this. Nothing but no-brains all around.”
“I...I...you didn’t have your buzzer. I...I’m trying to do three
things at once. I thought you were on your way down there to him.”
“You knew I went down to Sully’s. You should have rung down
there. Oh Christ! How long ago did he call?”
Saddle pulled her yakker out to hand to Marla, her face a
mass of confusion, her eyes misting. “I’m sorry,” she said. “I’m just caught up
in the layout. It’s a bit over my head.” She got up and ran out of the room.
“Oh fuck me!” Marla said, looking after Saddle, but punching
up Torpid’s number on the yakker.
“Torpid here. I’m...”
“Parker can’t have Mama.”
“He’s already got her. She’s the only one that can handle
those weavers of yours. They only speak Anthusian.”
“Yeah, well they’re Anthusians, like all of us here at the
Anthusian unit. Remember? They’re supposed to be over here. I don’t give a
fuck. Either my show is cut by half or give me back the whole staff. We cannot
do this.”
“Gershe, I’m in the president’s office right now. We can’t
talk.”
“I’m on my way over.”
“Gershe, don’t come...”
Marla clicked Saddle’s yakker off.
Out in the hallway, red-faced Saddle was just leaving the
bathroom. Marla tossed her the yakker.
“Saddle, I’m sorry. I was out of line; you’re the best thing
I got. You know that. I just can’t do this anymore. Let me get you a drink
after work, what do you say?”
She was just entering the lift as the doors closed. The only
thing she heard Saddle say was, “No thanks.” She bashed her forehead with her
balled up fists. “Fuck! Fuck! Fuck!” she said and then remembered what she was
doing. She frantically ran her hand over the floor numbers, trying to set the
code for the West Building. She knew they’d be meeting over at the big boys’
house.
As the lift gates opened onto the plush West Building
entrance port, the receptionist smiled in greeting — probably the only smile
Marla saw the whole day besides Lamont’s condescending one, earlier on the loom
floor. A barely audible Muzak track — a percussionless jazz combo rendition of
Santana’s Jingo-lo-ba — played in the background.
“Hello. How are you?” the receptionist beamed.
Sterilized air circulated in the lobby. Fueled by a higher
concentration of oxygen than Marla was used to, her anger rose a degree.
“Bad,” she answered. “Where’s your boss meeting with his
lackeys?”
“President Shurm is meeting with his managers today. It’s a
closed meeting.”
“Fine,” Marla uttered as she strode past the receptionist’s
desk. Her boots clicking rhythmically on the marble-tiled floor echoed down the
hall, amplifying the effect of her indignation.
“He’s not in his office and you can’t go in there anyway,”
the receptionist called after her. She jumped up and ran after Marla. “He’s in
a closed conference; you’ll have to wait. Ma’am. Miss! Please! You have to
wait,” and so on.
Marla turned down the left hall where the conference rooms
were rumored to be. A blaze of sunlight bursting through the twice-daily
cleaned set of windows at the end of the hallway nearly knocked her over with
its indecent natural light. She blinked to avoid the onslaught and began
defiantly pushing in doors, confident she’d find the president and his smarms
behind one of them. The third door on the right proved her assumption correct. It
opened to a round table with seven individuals whose heads bobbled up the
minute the door swished open. As big as the hallway windows were, the
conference room windows were larger by three, exponentially speaking. If they
were two square feet in the hallway, they were eight square feet here. Marla
shielded her eyes from the intense light, barely making out the president
wearing a pair of ocular shades on his nose and reading from a paper.
“What the hell is going on?” Marla shouted, looking straight
at the man. “What kind of an outfit are you running here?”
Eventually the others at the table came into focus. Everyone
looked like they were in the kind of daze you’d be in because today Jesus was
coming again and somehow your name didn’t show up on The List. They simply had
no clue.
“Gershe!” Torpid stood up and shouted.
“I’m sorry, Mr. Shurm. She just got past me...” The
receptionist had caught up to Marla and was entering the room offering her
apologies to the president.
“It’s all right, Cindy,” the president answered. “Not your
fault, obviously.”
“Gershe! Get back to the floor.” Torpid came around the
table and advanced on Marla.
“And what’s wrong with you, you jackal?” Marla addressed the
advancing Torpid. “Did you tell them what’s going on? I’m sure President Shurm
is not aware of what’s being requested on his behalf.”
Now Lamont stood up. “Ms. Gershy, if you have a problem with
what Mr. Torpid is doing, you should contact me. You don’t need to burst in on
a meeting. Shame on you, you should know protocol.”
“And now jackal number two speaks.” Marla addressed Lamont.
“Give me back Mama and my workers and we’ll give you a show. We’re not even
half done and it’s noon. How’m I supposed to do this? Did you even pass second
grade, Lamont? Remember, that’s where you learned that one and one is two. One
and zero don’t do it!”
“What are you babbling about, Gershy?” Lamont asked.
“Yes, young lady,” the president interceded on his own
behalf. “What are you babbling about?”
“I’m babbling that this lame jack—al, gave Parker half my
weaving staff for a show for you because you’re out on the town today. Fine. No
problem, but the designers gave me a full high-intense do-off. I’m not getting
a break.”
“We toured your facility. Everything was smooth. Your work
is adequate.”
“My work is the show tonight; you didn’t see that.”
“There’s no need to whine. I can’t see everybody’s show.
Maybe next time I’ll see yours. Mr. Lamont has assured me that Mr. uh...”
“Parker,” Lamont filled in.
“Parker’s show will delight me.”
“That’s not the bloody point. You can go to the moon for all
I care. My job is to put on a show. The revenues come in from the show. My job
is to do a show that brings in revenue, not entertain royalty. Every year
you’ve stated that in your bull-talks. Your presence today, sir, is jacking
with my mandate as given to me by you! You need to have your dogs return my
tools, or I’m not going to get the flat fixed.”
“Young lady, it’s a poor practitioner that blames her tools
for her inadequacy.”
“I don’t have my tools to blame! That’s the point.”
“I’m sorry, I’m not in a position to assess the situation.
I’ve been informed by my managers that all the floors are humming along. I
personally went to your floor and things were definitely humming. You should
feel flattered that I visited. Think of all the other plants I passed over.
Just because I’m viewing Mr. um...”
“Parker,” Lamont filled in.
“Parker’s show, you shouldn’t feel slighted.”
“Oh God! You are so...”
“Gershe!” Torpid shouted. “Get back to your floor. You’re
wasting time. You have a show to do.”
Marla looked at Torpid whose face was getting redder the
longer he stood there. Lamont was pale. The president, a charmer, was smiling.
If he could pat her on the head, he would. But he was seated at the far end—too
far away. And it was such a lovely day. And ahhhh.
“Gentlemen,” the president said. “Shall we resume? Thanks
for the report Ms. uh, Gershy is it? We’ll take it under consideration.”
“I suggest you return to work, Ms. Gershy,” Lamont finally
said.
Marla just looked from one idiotic baldhead to the next.
“I’ll speak to you later,” Torpid said quietly, as if he
hoped no one else would hear.
The receptionist, Cindy, pulled her back and with a
wonderful, patronizing smile said, “Would you like to make an appointment, uh,
Ms. uh, Gersay, is it?”
Marla shook her arm free of Cindy’s grasp and walked down
the hall.
“Ms. Gersay! Ms. Gersay?” The receptionist called after her
as she strode back to the people mover and to her floor and two hours of hell.
Upon returning to her office, she lost her temper again,
flaring up at Dittle the copywriter, who was dragging her feet with the night’s
program. She took it out on Saddle again, saying it was her fault for not
pushing the copywriter enough. Saddle, in her sensitive — some say
“high-strung” way — ran to the bathroom again for another eyeful of tears.
Marla then made it over to Minzt the tailor’s area to make a
mess of things, and got everyone there quite angry with her as well.
After that, she checked in with the rubber suit team down in
the basement, berating them soundly for finding a highly toxic fastening
material that also had the charming ability to be absorbed by the skin on
contact, making the whole thing unsuitable in clothing. The outfit had to be
scrapped, rendering the four hours of engineersâ and weaversâ time wasted. At a
million a minute... well, if one were to work out the math, one would lose one’s
temper. Which Marla did, but no one could tell because she was in permanent
apoplectic mode by then.
3:00 p.m.
By three o’clock, half her staff and Mama were gone and the
other half was demoralized. She’d been sitting in Mama’s seat weaving for over
an hour. One half hour after the afternoon break — usually the time when the
day was beginning to wind down — the workers were only now starting feverishly
on the second half of the day’s work.
Marla was well past mad now and had been composing her
resignation letter in her head since the time she left Shurm’s office. Without
even the slightest hint of a possible prospect beyond her current job, all she
was thinking about was how to get the most venom down on paper.
A crackle and shriek went up from loom number three — Zennie
Stapper’s. Marla’s head jerked up from a scream so intense it rose above the
loom din. Instantly she jumped out of her seat and ran to Zennie Stapper,
screaming, “Stop! Stop!” By the time she got there, Baylie at number four had
already pushed the emergency bar to stop the machine’s 350 pound shuttle
incessantly crunching against Zennie Stapper’s entangled hand — skin, bone, muscle
and all. Zennie was unconscious by now, the bone-crushing pain too much for her
to take.
Marla took two seconds to assess the situation and ran to
the emergency flap on the far wall, slamming her fist on the panel when she got
there. All machines in the room stopped in the up position. Everyone rushed
from their seats. The room lights flashed and a siren screamed on. The words
“Emergency!” flashed in the air from the hologenerator somewhere overhead. The
words reverberated from the floor loudspeakers, and Marla knew that throughout
the building everyone heard the alert.
In a matter of seconds, the emergency response team rushed
onto the floor. The team cut Zennie Stapper out of the machine’s entangling
warp thread and strapped her onto a stretcher. She was out of the room before
her forearm stopped bleeding and she had returned to consciousness.
“It’s because we’re working too fast,” someone yelled. “She
had to set the machine’s speed too high.”
“Yeah, her head numbed trying to keep up, she couldn’t even
think, probably. I was getting ready to go myself. That could have been me,
goddammit!” someone else added.
“It wouldn’t have been me. My hands are numb. I wouldn’t
even have felt it until my whole head was in there!”
Marla looked around, too angry to answer. By now, people
from other stations and floors had gathered. A crowd of about twenty stood and
stared.
Her anger had been building since this morning, since a week
ago, a month ago even, and had climaxed when Parker absconded with Mama. She
had not been thinking too clearly herself since that point. She had been
maniacally pushing Mama’s loom too fast, too hard, not safely. She had hardly
been watching the movement, the building of the fabric. She’d been staring
ahead composing that stupid letter. Just as the weavers in front of her had
probably been doing. Until Zennie Stapper experienced what each and every one
of them would have experienced sooner or later.
“Tell you what,” she told the group, not one of whom really
wanted to hear anything from her. “If I were you, I wouldn’t do a thing.”
“Wouldn’t do a thing? That’s your problem Gershe. You
wouldn’t do a thing. You just keep kissing their...”
“Shut up! That’s not what I’m talking about.” She turned to
Flannery, the man with the sharp retort. Her eyes blazed, piercing Flannery,
forcing him to silence. “Do nothing. Stop working. Stand. And do nothing. We
can’t possibly do good work anyway. We’re killing ourselves. Maiming ourselves.
The deck is stacked against us, children. Why do they keep pushing? It’s
getting worse every day. Today was just the worst. It was never going to get
better. We’re never going to finish.”
She jumped up on Mama’s desk and kicked the in-basket over
the side; the papers flew out at odd angles. Other workers from various offices
and stations were filing in. The crowd had tripled by this point.
“You’re wrong,” she shouted at Flannery. “I told them, told
the president, that asshole that came in here today, smiling and shit at Mama.
I told him we couldn’t work this way. Know what he said?”
“What?” the group collectively scowled.
“It’s a poor technician that blames her tools.”
“What?” Three or four of them stepped forward toward the
desk. “No way! That sucks!” Others followed. They gathered in a semi-circle
around Marla.
“Yeah. That’s just what he said. It’s our fault if we don’t
make the rate, if we get our bodies stuck in the machines. They give us free
coffee. Why can’t we keep pumping? They’ve increased the rate four times in the
last two weeks. Today was not unusual. We just reached the limit, that’s all.
They want to see if we can produce more with half a staff. If we make today’s
show, they’re going to expect us to do this every time. Then if we complain,
theyâll offer to return the staff back to full capacity, but itâll be for half-pay.
They’ll be able to give today as proof that we don’t need more people.”
A general grumble arose. Someone voiced, “I ain’t doin’ it.”
“No, of course not!” Marla screamed back. “No one is. We’re
taking an action.”
“When?” someone hollered.
“Now. Right now! Zennie Stapper’s hurt. We’re hungry and
dead-tired and only half done with the day. We’re taking an action right now.”
Minzt, the tailor — a non-union worker — left the room
quietly and ran down the hall.
Marla jumped down from the desk. “We need some attention
here. We need help here! This is an emergency!”
She strode over to the emergency flap. The previous alarm
had been reset automatically as soon as the emergency crew, with their
programmed rain jackets, had entered the room. Marla slammed the alarm again to
get more of the building occupants, i.e., the muckety mucks over in Shurm’s
office, to make it out into the cold hell of the weaving floor. The thirty
occupants of the room cheered in response. She laughed and slapped those next
to her on the back.
“It’s a poor boss that blames his slobs!” she said to
Cheever standing next to her.
“Ha!” said Cheever. “It’s a poor boss that blames his
slobs!” Cheever yelled to his neighbor who then yelled it to her neighbor.
Before long, everyone was yelling it to everyone else. Marla started to chant
it. She started a dance around the inside of the circle that had formed around
the emergency flap. Others jumped in behind her. Cheever, Baylie, Flannery, all
of them. They sang and danced and clapped to the new beat: “It’s a poor boss
that blames his slobs! Ha! It’s a poor boss that blames his slobs! Ha!”
Suddenly the emergency sirens and holograms were silenced.
The shouting chilled down to a whisper, the dancing stopped, and the clapping
stilled. They looked at each other, and then over to the emergency flap, where
they saw the president himself flanked by Lamont and Torpid and six other
lackeys.
By now, the second alarm fire team was making it into the
room. Marla assessed the situation, broke out from the ring and ran to the
flap, engaging it again, making it a three-alarm emergency. Now the police
would be responding. The workers followed Marla to the flap and surrounded the
president and his men. When the alarm resumed they sent up a shout and started
chanting maniacally facing the president. Torpid started screaming at Marla to
stop. She merely chanted louder and spit the “Ha!” directly into his face.
“What is your problem!” he screamed red-faced.
Lamont began hollering also. He and Torpid surrounded Marla,
cursing at her, spitting, bobbing their heads back and forth like the
mannequins who were by now ducking into the room and joining the fray.
Meanwhile, the mob had separated the president from his
entourage. Backed up against the wall, he pleaded, white-faced, for everyone to
settle down. Marla screamed back, broke away from Torpid and Lamont and ran
over to Mama’s top desk drawer, retrieving a foot-long mag-lite. She took the
torch and squeezed in between the mob members, holding it like a beacon. She
joined in the chanting and the mob backed off a little to let the mag-lite have
its effect. She held it up to block any attempts by the president to disengage
the emergency flap. The chanting became louder and louder as the mannequins and
various other laggards entered. They were happy to join in, having themselves
been run ragged in the past two weeks. Everybody had been waiting for the
signal to do this for quite a while.
Lamont rushed out through the aluminum doors and screamed to
the incoming emergency police, which included a very green corps of security
officers. They ran into the room, leaving Lamont sweating on the side in the
hallway. He panted like a dog with eyes wide and tail dangling between its
legs.
In the middle of the room, Torpid stood shouting “Stop her!”
pointing to Marla with the mag-lite raised above her head and seemingly aimed
at the president. The room was mass confusion. The chanters had broken
up and were kicking the looms and using whatever trashcan, lunch box, or other
blunt object was available to damage the cast iron structures. The mannequins,
by now programmed for AI mode, immediately saw what was going on and began a
systematic disassembling of the looms using the handy-dandy toolbox installed
in their lower abdomens.
The president screamed “Stop!” at Marla, at the robots, at
Torpid, at anyone who could possibly stop. The robots of course were responding
mainly to Marla, who shouted, “All work must stop,” fueling their destruction
of the looms. Now the president shrank from fear, his knees buckling beneath
him, his eyelids fluttering as if he was trying to block out the scene and at
the same time take in information; his brain quickly short-circuited to
open/close mode.
A mixed smell of textile dust, oily rust, and burning computer
components filled the air along with the deafening noise.
Just at that moment the greenest individual of the green
corps, fresh from the Academy only a week earlier and not much more than a
mannequin programmed for AI himself, pulled out his xanthan gun — a riot
weapon, capable of firing long-chain organic compounds that temporarily maim
the target, but not mortally. After a time, the organics dissolved in the body
leaving a big gouge. The gauge of the “bullet” determines how big the gouge is.
“Gouge-gauge” they call it.
The cadet was quite frightened by the clanging robots, the
screaming, dancing and chanting workers, the nattily suited president down on
his knees, blubbering, and Marla maniacally standing over him and threatening
him with a mag-lite. All of the officers had their weapons drawn but only the
greenest of the green corps guy was visibly shaking.
The head officer, unaware of the panicking newbie, busied
himself with trying to figure out how to stop the mannequins. It was against
the law to actually shoot his weapon (it wasn’t a xanthan gun) except in
self-defense, so he resorted to shouting out questions which nobody heard.
“Who’s in charge of the mannequins? Who’s in charge here?”
The firefighters also responded as per their standing orders.
Their job was first and foremost to prevent destruction of any kind to company
equipment. The fire chief ran to the emergency bar and broke the glass. The
sprinklers immediately came on, dousing the room, but no one skipped a beat. A
scream arose when the water hit the chanters, but that was it. The increased
sound level merely added a blip to the general din. Marla turned to see the new
developments as the water mixed with foul air. She stood and laughed, her hands
on her hips. The robots would probably short-circuit in a minute, as would
everything else. But the chanting continued — muddy rain everywhere.
With Marla’s back turned Torpid saw a chance to disengage
the emergency flap. He snuck around behind Marla and just as he was raising his
hand, she turned to smash it with her mag-lite.
The green cadet, twitching his head back and forth from
Torpid to Marla, reacted immediately upon seeing the blunt object raised in
violence by the one person in the room everyone seemed to be looking to; seemed
to be afraid of, seemed to be following in the charge. He took timeless aim and
shot into the belly of the beast.
The emergency alarms cut off immediately as Torpid’s hand
connected with the emergency flap and Marla fell to the floor, dropping the
mag-lite with a crash. The noise in the room continued for a few moments, until
the chanters one by one saw Marla lying in a pool of blood. The robots, too,
stopped clanging when they sensed their leader sinking to the floor. Only the
sprinklers continued to stream, like a light spring shower. It was the only
sound in the room. Everyone listened except Marla Gershe. For her, all was
silent.
End Chapter One
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